le cirque invisible

My Mum bought tickets on the spur of the moment after I told her about a poster I had seen on the tube. One review said that if you're depressed, before trying anti-depressants, come and see Le Cirque Invisible. Both my Mum and I had had a particularly crappy day. Having been out of work for a couple of months and feeling pretty low about it, I had missed out on a job that afternoon. Mum, who was meant to meet me for dinner beforehand, had been locked out of the house, kept builders waiting at a flat she lets out and only just got back in the house, to the flat, and back again in time to jump on a train to meet me for the performance.

We didn't know what to expect.



I'm looking online at reviews of it, all of them highly praising it, except for one Guardian review by Lynn Gardner from last year which I've just read. Ok, so the show may have hardly changed over 30 years but that is the beauty of it. It is crazily wacky, simple, timeless and quirky.

The duo are Victoria Chaplin (daughter of Charlie) and her French husband Jean-Baptiste Thierree - I was surprised to hear they were married when he is in his 70s and she looks about 40, but was then even more surprised to hear she is nearing 60. She contorts herself into the most amazing positions and creatures. But it was Jean-Baptiste who really stole the show for me, his obvious passion, enthusiasm and demeanor were enchanting.
One of my favourite bits had to be the rabbits and ducks that came on stage - seemingly voluntarily. The rabbits were given books to read so they didn't get bored. Their costume changes and the humour in the simplest of sketches is refreshing and certainly cheered both Mum and I up.